Saturday, 8 March 2014

My tribute to all those women’s, who just enhance the word "world" by adding "beautiful" behind it.

My tribute to all those women’s, who just enhance the word "world" by                         adding "beautiful" behind it.

Those stairs you are
     Which helps us climb up to sky
         Those wings you are
    Which makes us possible to fly
As far as I go
        Or else I roam all around
     Will never gonna get like you
           Even not yet found
Your voice is like a roar
        Your attitude has power
     You are a symbol of respect
    We belong to that garden, in which you are ruling as a flower
This is you.
You faced, still facing
    World is full of cruel people
   Always sacrifice for your child
  You belong to them as an angel
Words aren’t enough to describe you
Only you can bring up a revolution
When you love and care
You do unconditional
This is you.
Wouldn't open my eyes
If next morning couldn't see you
If anything left to complete men
Then you are the one who completes them
You always protect us like a bird
By covering us with your feathers
No matter what role you gonna play
Daughter, wife or mother
This is you.

Saturday, 28 December 2013

My review for Dhoom 3

And with an extra nos Dhoom 3rd instalment released worldwide on 20th of december and i'm delievering my review a week late.

Written and directed by 'Vijay krishna Acharya' DHOOM-3 get sidetracked by thievery, which is an identity of dhoom series.

At starting it seems like we just watching now some hollywood stuff;  And when story floating on a way to build up its like tolerable, but when its come to its first thievery, what really happens thievery performed smartly, Aamir just left mask and a message, Chasing started.

They didnt even allow us to see how could he entered inside and how he performed the thievery successfully.
Didnt even we left to see, what technique does he used to make it happen, nothing !!!

Like in Dhoom-2 we were really came to know with different techniques of thievery, how did they played with their security, cameras, but in this movie we didn't get chance to see this kinda stuff.

In his all robberies, on screen we use to see "after the scene" when robbery just happened, and Aamir just seeking the way to come out.
And chasing starts.

Aamir collected every information from robbery place, captured the number of cctvs, security, suit the whole place but didnt allow us to see how did they just used his techniques over that pre-planned situations.

In chasing we start enjoying and we use too see some new and extra ordinary transformations in bikes, and those transformations clearly signifies the hard work. Which is quite new thing in dhoom series.

Aamir's attitude, acting, performance, dance, guys he just gave onself to dhoom, come out as  a magnet  and gravitate the audiences to near by theatres.

In malang song they did a lot with it. That would be appreciated. And if we look back of ashwariya's role, katrina is nothing.

Uday is just vixatious this time, abhishek doing same as always.

Didn't get in climax how would cops know, Aamir is gonna choose that way to leave chicago.

Better i dont tell you about music. Does vishal-shekhar dead? Why didnt they appoint them ?

If you didn't watch yet, better you wait for a good print in cd's. Save your money.
Thumbs down.
Giving 2 out of 5.

Monday, 23 December 2013

Its you !

Its you
to whom i shared with
Its you
to whom i laughed with
If you miffed up with me
To whom i gonna talk forward?
With whom i ll be chat on late night?
To whom i use to call little baby?

Dont be angry
just smile
it helps me
to walk a mile
To walk with you
i never stop

But whn u get angry with me
might be my pulse get stop

I write up with my feelings
u ignored
i wait for such a smile
u dont

I nevr use my poetry to flirt with grls
u r my close frnd so i does

Dont use words like crap for my poetry
Coz with it my feelings attachd
i put my soulful words in it
And in it my heart wraped

u r my frnd grl
a close one
Like for father everything is
his son

So dont be so rude
Do reply with smile
where u left me
i ll hold again ur hand

To walk a mile

Thursday, 5 December 2013

Review of Bullet Raja

Missed You, Tigmanshu.

Guns and politics, roaring screen presents Raja mishra and rudra, sabke virudh. Tigmanshu dhulia's 'Bullet Raja' compels story to cut into harshly. Untidy story writing and whip screenplay which hits your mind very strongly in 1st half. Some dialogue like 'saaale har baar 2 hi kyu hote hai, sholey me bhi 2 the' and 'hum har paap nark ke dwaar k bahar hi krte hai' are strictly says that u're watching dhulia's stuff.

Start with an unknown sequence that took too much time to empathize. But at the end when frst scene reveals, it makes perfect ending, great suspense nd perfct climax which really compel you to think about dhulia.

Clumsy songs, lazy lyrics, stupid item number, Thanks to RDB who make up the music level high with song 'tamanche pe disco' bt the timing was too poor of this song.

Some people like (vipin sharma) are part of a movie, which is a remembered character for a long time... Loved his acting. Advised 'Rudra and Raja' to be a "political commando". And become a star of (Raj Babbar) who is a senior political leader of UP.

(Ravi kishan) time by time his approach in character is commendable. Coz of fear of handcuffd, he used to be in get up of women and acted like he is mentaly paralised.

And dacaits of chambal who surrenders because of daring police officer (vidyut) is a funniest part of the movie. Vaise hai chambal ke, but too sensitive than rats, fear level is that much. Hahaha.

In some sequences, some part, it works as a label of dhulia but the satisfaction level is missing over there.

Saif ali khan at some places propel you up to ask why ? When he danced in an item number. But at some places he is the boss. But his character didnt left u with that gossip which u make later. As u made at the time of langda tyaagi, omkara and his role in Dil Chahta Hai.
Jimmy shergil is too good. Macho man isn't it ? Tigmanshu knows how to play with jimmy as he was part of its two films.

Still confused ! Really there is a need to be sign sonakshi sinha ?? If u're not, let me know then.

One tigmanshu of Paan Singh Tomar, Saheb Biwi or Gangerster 1-2. And one of 'Bullet Raja'. Waste Attempt. I am going with 2.5 actually. Missed YOU in film, tigmanshu.

If you are really in love with last tigmanshu movies then this movie is going to dissapoint you.

Wednesday, 4 December 2013

Review of RAM-LEELA

Very late already to write a review but hard to lurk in oneself, lot to speak, lot to tell. The movie of a visual banquet, bhansali's 'Golio ki Raasleela Ram-Leela' the good, the beautiful and the breath taking.
Well imagined, a fiction of two families, rivals, RAJARI - SANERA composed with colorful riots, story which helps you to understand easily about two rivals. RAJARI's Ram fell in love with Sanera's Leela and story turn into bearable love story.  Apart from this riots not in mood to stop.

My eyes stuck in the direction of bhansali, in cinematography of S Ravi (did with barfi too) and in the work over sets, dancers, costumes, accesories, whole get up of every character.
Means hard work glint very beautifuly. Picturisation of a movie is just the best one by so far this year. Such a award winning picturisation, every single shot speaks a lot. I cant even remember some, that much pack of shots in film.

Despite of all, actors are extra ordinary, their accent is like they all r actual gujrati's.
Supriya pathak leela's maa, her approach in character is commendable. Means one side u see her character like hansa and on another rude, killer, smuggler baa in Ram leela. And ram-leela's convo are like roar.

Visuals are counceler of movie. Story is simple but visualisation make it a worth watch.

Bhansali's screenplay, music, direction, not over yet, he produced too..  left an imprint on Ram leela, An imprint of bhansali production logo. This is me. Different.

Simple story, lake of visuals, command of shots, If u r stuck with those things yet :- irrelevant kisses, item numbers, then ahhh 'singh saab the great' released today.

Better than worst 200 club movies, if u have seriously those eyes and hv mind to understand the technical terms of a particular movie, u re gonna love with that, otherwise kisses and bloody item numbers waiting for u ( i am not saying, people are. ) I am going with 4.

Thursday, 17 October 2013

UNSUNI AWAAZ....


keemati un waqt se
kehdo har shaqs se
kaafile kai hai
narm har dil se

jo chal raha hu
jo seh raha hu
zakhm aud ke
reh raha hu
to zinda hu...
Zinda..
to zinda hu...

tu baat kar mere kapde dekh
ilzaam lga laachar dekh
teri taakat kamjor tak
cheen ke neewala mjhse

Nochta h tu jinhe
karam tu karta bure
meri haalat dkh bolta
ki pichle janam ke karam mere

jab tk h tu uth ta
mera aada din kaam me nikalta
us rooh me mila paseena
cheekh cheekh ke hai bolta

ke chaar paise jada mangu
to kai laat na mile
2 roti ki aas mai
bhula diye laalch bhale

tu nikal gya gaali deke
tere bcche ne socha tra rob hai
vo akadega kal teri tarah
na raha usse bhi khauf hai

par thook tra mere muh pe paake
smjh itna mai gya
jis zindgi ki log misaal dete h
vai mjhpe thook gya

na kar chinta
na dikha chah
agar tune maarni hi h thokar
to na dikha raah

kehdo un cheene hue hmare makaano se
luti hui hmari ijjat, hmare armano se
jo saans le raha hu
khuda se keh raha hu
to zinda hu
Zinda....
to zinda hu

kal bhi hme rondha tha
kismat me hmari ye h nai
to kya hua tm tai krke
aj bhi hme rondh do

kal bhi hm kai se nikaale gae
aj bhi hme nikaal dna
khel sa smjh rakha h hme
aj bhi hme roola dna

mjhe tu kch naya to kya dga
bch gya to mere liye
khana bhi jhoot naseeb mai
khairaat bs mere liye

gir gya me agr to bewda
chaahe kisi rog se me hu mar raha
2min bhi mjhe mt dkhna
shyd apraadh ho jaega

raah pde un bajri se
kehdo vo mera bistar hai
footpath ki un dalilo se
vo mera hi ghar hai

kya hua jo mera ghr barsaat nai tb tak hai
kya hua jo thand me kambal ek aur hm dus hai
aj bhi roti ki aas me chule ko dkh
bukh bd jaati h
jis tarah teri vo
ussi tarah meri bhi bukh mitaati h
fr bhi tu shikaytein krta hai ki tu mar raha
mai ab bhi kehta hu
me zinda hu
zinda..
zinda hu !!

Monday, 23 September 2013

My review for "The lunchbox"

Forgetting email, messages, call or in our language whats app debutant Ritesh Batra sweetly and romanticaly plug in us in an era where people used to communicate with letters.

If u ever heard the word "realistic" thn this film "The lunchbox" is one of the most realistic movie i've seen this year.

As our daily routien life starts with the pressure cooker whistle,  and momma starts like an engine who departure at early in the morning and arrival at night and a typical father, husband who come up at home and on a dinner table, bore whole family with their silly sensex updats, many more things which actualy exist in our daily life which shown by smart director very beautifully.

The whole film based on simple story which also focused on "mumbai dabbawala's" how come they deliever dabba from one place to another. They frame them very well on other side. Cinematography of the film is something like which place itself very well in ur gossip after watching it.

Housewife ila (nirmat kaur) is actualy a housewife i think..!  mean how come a person act so realistic and the phase of the film looks like we are watching a documentry, And an aunty whose aquaintance is her voice only. A call goes "auntyyyy" and reply comes "haa" thats it. .., i mean can you imagine?? without on screen presence just a voice of a lady..guiding ila about different things which i m not going to tell coz somewhere it would be come as a spoiler for you. BRILLIANT THOUGHT ... HATS OFF

Small gags which is like not specialy cover the reel to make u laugh, but they suited well in situation and come up as a gags. As in our "roz mara zindgi" we use.


Irrfan and Nawazuddin, watching them both on screen together is worth more than your 100-150-300 bucks.

Irrfan's character is like same as i observed a single govt officer in any govt office. when i or anyone used to ask so many question constantly, and they reply like they burp.. Or stare us like we ask for their daughter's hand.

He grabs the same attitude and gave top notch performance, an A class performance we should say.

And nawazudin.. a character who is seriously unbelievable.., same as saajan (irrfan) used this word in one shot. Seriously played a role like apni hi dhhun mai.. Mean thats what actualy called an acting, a performance.
How they act like so realistic man ?? how ?? i'm stunned man !!!

Luvd so many reply's of a letter by saajan (irrfan) one of them is so touchd my heart which is "I think we forget things if we have no one to tell them to" .

So without wasting ur time on item songs, songs or any other disgusting things.., simply walk on a path of love, sweetness, happiness, a bit of an emotional side,  left u with the stomach ache which is not going to wel until u dnt recomend this movie to as many as u can.
And it wil also left u with hungeriness.

If you realy want to see a true cinema... Dabba is waiting for u.. GO and GET IT !!!

I am not rating this one, just thnkful to cinema for making me so happy.