My review for Dhoom 3

And with an extra nos Dhoom 3rd instalment released worldwide on 20th of december and i'm delievering my review a week late.

Written and directed by 'Vijay krishna Acharya' DHOOM-3 get sidetracked by thievery, which is an identity of dhoom series.

At starting it seems like we just watching now some hollywood stuff;  And when story floating on a way to build up its like tolerable, but when its come to its first thievery, what really happens thievery performed smartly, Aamir just left mask and a message, Chasing started.

They didnt even allow us to see how could he entered inside and how he performed the thievery successfully.
Didnt even we left to see, what technique does he used to make it happen, nothing !!!

Like in Dhoom-2 we were really came to know with different techniques of thievery, how did they played with their security, cameras, but in this movie we didn't get chance to see this kinda stuff.

In his all robberies, on screen we use to see "after the scene" when robbery just happened, and Aamir just seeking the way to come out.
And chasing starts.

Aamir collected every information from robbery place, captured the number of cctvs, security, suit the whole place but didnt allow us to see how did they just used his techniques over that pre-planned situations.

In chasing we start enjoying and we use too see some new and extra ordinary transformations in bikes, and those transformations clearly signifies the hard work. Which is quite new thing in dhoom series.

Aamir's attitude, acting, performance, dance, guys he just gave onself to dhoom, come out as  a magnet  and gravitate the audiences to near by theatres.

In malang song they did a lot with it. That would be appreciated. And if we look back of ashwariya's role, katrina is nothing.

Uday is just vixatious this time, abhishek doing same as always.

Didn't get in climax how would cops know, Aamir is gonna choose that way to leave chicago.

Better i dont tell you about music. Does vishal-shekhar dead? Why didnt they appoint them ?

If you didn't watch yet, better you wait for a good print in cd's. Save your money.
Thumbs down.
Giving 2 out of 5.

Its you !

Its you
to whom i shared with
Its you
to whom i laughed with
If you miffed up with me
To whom i gonna talk forward?
With whom i ll be chat on late night?
To whom i use to call little baby?

Dont be angry
just smile
it helps me
to walk a mile
To walk with you
i never stop

But whn u get angry with me
might be my pulse get stop

I write up with my feelings
u ignored
i wait for such a smile
u dont

I nevr use my poetry to flirt with grls
u r my close frnd so i does

Dont use words like crap for my poetry
Coz with it my feelings attachd
i put my soulful words in it
And in it my heart wraped

u r my frnd grl
a close one
Like for father everything is
his son

So dont be so rude
Do reply with smile
where u left me
i ll hold again ur hand

To walk a mile

Review of Bullet Raja

Missed You, Tigmanshu.

Guns and politics, roaring screen presents Raja mishra and rudra, sabke virudh. Tigmanshu dhulia's 'Bullet Raja' compels story to cut into harshly. Untidy story writing and whip screenplay which hits your mind very strongly in 1st half. Some dialogue like 'saaale har baar 2 hi kyu hote hai, sholey me bhi 2 the' and 'hum har paap nark ke dwaar k bahar hi krte hai' are strictly says that u're watching dhulia's stuff.

Start with an unknown sequence that took too much time to empathize. But at the end when frst scene reveals, it makes perfect ending, great suspense nd perfct climax which really compel you to think about dhulia.

Clumsy songs, lazy lyrics, stupid item number, Thanks to RDB who make up the music level high with song 'tamanche pe disco' bt the timing was too poor of this song.

Some people like (vipin sharma) are part of a movie, which is a remembered character for a long time... Loved his acting. Advised 'Rudra and Raja' to be a "political commando". And become a star of (Raj Babbar) who is a senior political leader of UP.

(Ravi kishan) time by time his approach in character is commendable. Coz of fear of handcuffd, he used to be in get up of women and acted like he is mentaly paralised.

And dacaits of chambal who surrenders because of daring police officer (vidyut) is a funniest part of the movie. Vaise hai chambal ke, but too sensitive than rats, fear level is that much. Hahaha.

In some sequences, some part, it works as a label of dhulia but the satisfaction level is missing over there.

Saif ali khan at some places propel you up to ask why ? When he danced in an item number. But at some places he is the boss. But his character didnt left u with that gossip which u make later. As u made at the time of langda tyaagi, omkara and his role in Dil Chahta Hai.
Jimmy shergil is too good. Macho man isn't it ? Tigmanshu knows how to play with jimmy as he was part of its two films.

Still confused ! Really there is a need to be sign sonakshi sinha ?? If u're not, let me know then.

One tigmanshu of Paan Singh Tomar, Saheb Biwi or Gangerster 1-2. And one of 'Bullet Raja'. Waste Attempt. I am going with 2.5 actually. Missed YOU in film, tigmanshu.

If you are really in love with last tigmanshu movies then this movie is going to dissapoint you.

Review of RAM-LEELA

Very late already to write a review but hard to lurk in oneself, lot to speak, lot to tell. The movie of a visual banquet, bhansali's 'Golio ki Raasleela Ram-Leela' the good, the beautiful and the breath taking.
Well imagined, a fiction of two families, rivals, RAJARI - SANERA composed with colorful riots, story which helps you to understand easily about two rivals. RAJARI's Ram fell in love with Sanera's Leela and story turn into bearable love story.  Apart from this riots not in mood to stop.

My eyes stuck in the direction of bhansali, in cinematography of S Ravi (did with barfi too) and in the work over sets, dancers, costumes, accesories, whole get up of every character.
Means hard work glint very beautifuly. Picturisation of a movie is just the best one by so far this year. Such a award winning picturisation, every single shot speaks a lot. I cant even remember some, that much pack of shots in film.

Despite of all, actors are extra ordinary, their accent is like they all r actual gujrati's.
Supriya pathak leela's maa, her approach in character is commendable. Means one side u see her character like hansa and on another rude, killer, smuggler baa in Ram leela. And ram-leela's convo are like roar.

Visuals are counceler of movie. Story is simple but visualisation make it a worth watch.

Bhansali's screenplay, music, direction, not over yet, he produced too..  left an imprint on Ram leela, An imprint of bhansali production logo. This is me. Different.

Simple story, lake of visuals, command of shots, If u r stuck with those things yet :- irrelevant kisses, item numbers, then ahhh 'singh saab the great' released today.

Better than worst 200 club movies, if u have seriously those eyes and hv mind to understand the technical terms of a particular movie, u re gonna love with that, otherwise kisses and bloody item numbers waiting for u ( i am not saying, people are. ) I am going with 4.